Warner Bros. Pictures
Rated R
Running time: 120 Minutes
Click below to watch the Argo trailer.
In Warner Bros. Pictures Argo, Ben Affleck is a CIA ex filtration expert who has to get six U.S. Embassy escapees out of Iran during the Iran hostage crisis.
Based on a true story, the movie starts out with movie storyboards describing the historical background of Iran - then the movie goes into the story as the U.S. Embassy gets stormed by Iranian protesters during the Islamic revolution of 1979. Six of the Embassy staff sneak out the back of the Embassy during the takeover - and takes refuge at the Canadian Embassy with Canadian Ambassador Victor Garber.
As the head of the C.I.A.’s Graphics and Authentication Division, producer, director, and star Affleck - as the real life Tony Mendez - was responsible for foreign agents and the agents cover stories. After watching a clip of Battle for the Planet of the Apes from his hotel during a phone call with his son Aidan Sussman who is sitting at home, Affleck comes up with the idea of getting the refugees out of Iran by having them pose as a Canadian film crew making a science fiction movie that needs exotic Iranian locales - so they can fly out of Iran after the "location scouting" trip. With the help of Hollywood makeup artist John Goodman as John Chambers - who had created Mr. Spock's pointed ears, as well as worked on the Planet of the Apes movie series - and Producer Alan Arkin, they create a production studio for the fake science fiction/fantasy film. Arkin takes this project seriously - if the story has a horse, "it's a western, not a science fiction film." I loved what Alan Arkin said, "If I'm doing a fake movie, it's going to be a fake hit." The audience laughed at all the Hollywood jokes.
The juxtaposition between the intense real-life Iran and the fantasy land of lowest-common denominator Hollywood was quite ironic. The run-down Hollywood Sign, before it's renovation, stresses the fact that this is the time period of 1979. The costumes in Hollywood were straight out of a science fiction convention and were pretty funny, while the Iranian Anti-American protesters were very scary. I wished there was more of the Hollywood aspect in the second half of the movie with John Goodman and Alan Arkin waiting back in Hollywood, at least arranging more of the Hollywood support system needed for the refugees extraction considering how rushed the project was put together. The Hollywood aspect would have lightened the tension of the intense second half of the film as the Iranians hunt for the refugees, which was very draining for me. Having the refugees not trusting Affleck and the Iranian military searching for the refugees definitely was intense. When refugee "location scout" Kerry Bishe takes location pictures as part of her fake ID job, she gets into a confrontation with an Iranian business owner for taking a picture of his business. This was just one of the intense scenes in the second half of the movie as Affleck is determined to fly the refugees out, despite a problem with their airline tickets. It was fortunate that one of the refugees can speak Farsi.
Having the Embassy using strip paper shredders instead of cross-cut paper shredders did not make sense to me - especially when they also had a furnace for burning sensitive documents - and of course the use of strip shredders was used to the detriment of the Embassy hostages and refugees. I am sure, after this incident - and the Oliver North Iran-Contra affair - cross-cut paper shredders are part of government facilities now.
While I understand the storming of the Embassy, there was no real resolution of the U.S. Marines stationed at the U.S. Embassy. It is implied that the Marines were overrun and taken hostage, but you never really saw that. Given the fact that the Marines had a no-shoot-to-kill order - it is sad, but not surprising that the Embassy and the Marines were overrun.
It was interesting to see the archival TV news clips of the time about the hostage crises, with the nationally famous network newscasters looking so young - as well as seeing the news clips of President Jimmy Carter and U.S. and Canadian government officials. Iran government officials, as well as Iranian women reading statements denouncing the U.S. Embassy and the U.S. and Canadian governments in the aftermath of the incident is still rather disturbing. Affleck had the film processed in a way so that the movie looked like it came from that time period. The Warner Bros. logo used for the movie was the logo used during that time period.
While in reality, British and New Zealand diplomats also had put their lives at risk to help the American refugees - but I do not recall any mention of them in the movie, so their involvement in the movie was very light.
The crowd in the theater was definitely and older crowd and the theater was pretty full for an afternoon matinee. This was definitely the type of crowd who were around during the Iran hostage crisis. While I remember the 52 hostages, I barely remember the release of the 6 refugees - so this movie was very suspenseful for me as I did not know the refugees story. I loved all of the Star Wars toys on Sussman's bedroom dresser shelves at the end of the movie as they ran the end credits crawl. During the end credits, there was a "where are they now" crawl of the people involved with the incident and a crawl of the involvement along with the Canadian government - as well as a voice-over statement from former President Carter describing the Argo incident. The credits also showed the movie shots being compared with the real-life pictures of the hostage crisis. At the end of the movie, the audience applauded.
Rated R for violence and language. Running time: 120 Minutes
Pancho
All people smile in the same language.
