After an ancient battle between Odin/Anthony Hopkins father Bor/Tony Curran, and the Dark Elves led by Eccleston - Eccleston and a handful of Dark Elves escape into suspended animation.
In modern-day London, astrophysicist Doctor Natalie Portman discovers a place where objects disobey the laws of physics and disappear into thin air. Portman winds up being teleported to another world. When Thor/Hemsworth learns of her disappearance, he goes in search of Portman as the Asgards learn of the Convergence, the rare alignment of the Nine Realms with portals linking them all. Eccleston and the Dark Elves awaken from suspended animation and return to threaten Asgard and Earth through the Convergence portals. In desperate revenge Eccleston and the Dark Elves, Thor/Hemsworth seeks an alliance with his imprisoned traitorous brother Loki/Hiddleston.
I had mixed feelings about this movie. Actually, I had opposite feelings about this movie than for the first Thormovie. I liked the Earth scenes better than the Asgard scenes. The Earth scenes dealt with more interesting scenes, like scenes in London instead of scenes in the middle of nowhere in America, and the scenes that dealt with the warping of the laws of physics. The Asgard scenes were too human for me, more human street level, instead of using more godlike fantastical situations.
I liked the eventual meeting with Thor/Hemsworth and Natalie Portman, as well as the meeting with Portman and Loki/Hiddleston. Portman of course has issues with both Thor/Hemsworth and Loki/Hiddleston after what happened in The Avengers. Thor/Hemsworth also has to deal with the issues he has with both Portman and Loki/Hiddleston. I also liked the uneasy alliance between Thor/Hemsworth and Loki/Hiddleston. You are never sure when Loki/Hiddleston will betray Thor/Hemsworth. Their relationship was possible the most interesting one in the entire movie. Portman's relationship with Thor's/Hemsworth's parents Odin/Anthony Hopkins and Frigga/Rene Russo. While Odin/Hopkins did not think Portman worthy, Frigga/Russo had a motherly affection for Portman. Frigga/Russo also kicks ass if you mess with her, which I loved.
For Stan Lee fans, I think it is appropriate he is a patient in a mental ward. Chris Evans uncredited cameo was great.
As a by-product, the events of Thor - The Dark World will affect the events in TV's Marvel's Agents of SHIELD.
During the end credits - there is not one, but two scenes that are shown. Most people left after the first scene was shown. The first scene was more concerned with The Collector story - with an uncredited Benicio Del Toro as The Collector - which leads to Guardians of the Galaxy, so the people leaving after learning the story was okay. The next scene was a love story scene with Porter and Thor/Hemsworth.
Rated PG-13 for violence, nudity. Running time: 112 Minutes.
Twentieth Century Fox Film Corporation's Star Wars - Episode I - The Phantom Menace - 3D, is a re-release of the classic movie of the Star Wars saga in 3-D. This is the first of the Star Wars films that will be released in 3-D theatrically. This is significant considering that this year 2012 is the 35th Anniversary of the original Star Wars. Given a collectible keepsake of the Star Wars - Episode I -The Phantom Menace - 3D real D 3D glasses to use for the screening - when you purchase a tickit to the movie, while supplies last - is a wonderful marketing strategy for the movie, and adds to the experience when you see the movie with the fans. As the films were meant to be seen in the big theaters, instead of on a tiny TV screen, I definitely wanted to see the movie again in the theater and get the full experience. The people behind me were singing the Star Wars theme song when the opening music started. Most people have seen the movie when it first came out, but there were families who brought their kids to see the movie, and the kids seemed to enjoy the movie.
Originally George Lucas shot the movie in 2D and converted the film to 3D for this edition. While there was more 3D than is usual for a conversion, it was disappointing that there was nothing coming out at you. I only recall 1 or 2 incidences like that, and those incidences were during the pod racing scene. I don't know if that is due to the nature of the technology or if they did not want that happening for the movie. Most of the 3D effects deal with depth going back into the picture - even during interior scenes, which is rare. As a result of nothing coming out at you, the traditional opening ship fly-by was not as impressive as I wanted it to be. I wanted the ship flying over my head, instead of flying into the screen. The best 3D sequence was the pod racing sequence, a sequence which is similar to NASCAR auto racing. This is not surprising as the pod racing sequence was the most popular sequence during the film's initial release back in 1999, so naturally they would focus all of their 3D resources on this sequence.
Since I did not have a movie review blog when the movie first came out, I will review the movie now. The movie itself I have always liked as the best of the movie prequels, despite the fact that a lot of people hated it. Overall, the film has basically a good story and there were a lot of good things about it. The Trade Federation has blockaded the peaceful world of Naboo. Two Jedi Liam Neeson and Ewan McGregor are sent to negotiate with the leaders - but the Federation leaders betray them. The two Jedi escape the Trade Federation and head to the planet Naboo to warn Queen Amidala, Natalie Portman, but the Trade Federatoin droids have already invaded Naboo and the Queen is not safe there. Neeson and McGregor escape Naboo with Portman. Eventually, they land on Tatooine for battle damage repairs, where they become friends with a young boy - Anakin Skywalker, Jake Lloyd. Jedi Master Qui-Gon is curious about young Anakin - and feels the Force strong in Anakin. So Qui-Gon wants to take Anakin with them to the Jedi Council. The group must now find a way of getting back to the galactic capital of Coruscant and to solve this trade dispute, but someone else sinisterly waits in the shadows.
Granted there was a lot of story detail in the film that many people, including myself, were very critical with. Jar-Jar Ahmed Best was not as annoying to me as he was when I first saw the movie in 1999, but he was still annoying. I could relate to a clueless character like Jar-Jar being suddenly thrown into this situation, but Jar-Jar does not have good table manners. The fact that Jar-Jar eventually becomes a competant ambassador in Star Wars: The Clone Wars shows the growth of the character. The various alien races representing different races like Blacks and Asians could be controversial, but it never bothered me both then and now. The scientific explanation of the Force takes away from the mystical hokey religion aspect of the Force that we grew up with, at least the aspect of the Force my generation grew up with, making the film more of a science fiction film than a science fantasy. This was kind of a disappointment for me, as I liked the mystical energy field aspect of the Force.
Jake Lloyd as the young slave Anakin has the innocent face that was needed for the role, especially when Lloyd leaves both his mother Pernilla August and his home, but Lloyd was not that great of a child actor. Actually, Lloyd's lack of acting works in conjunction to the later films with Hayden Christensen as Anakin - whose acting also was not that great in the films, so in a sense there was a sort of continuity of bad acting in the movies for the character. Actually, I think Lloyd was better as a pilot than as an actor. This allowed him to do things instead of act. Lloyd's relationship with high school aged Natalie Portman as Padme Amidala was cute as Padme is the quintesential unreachable girl. Ewan McGregor was very young in his portrayal as padawan apprentice learner Obi-Wan Kenobi, while Liam Neeson as Jedi Master Qui Gon reminds me of the older Obi-Wan portrayed by Alec Guinness. It was hard for me to imagine young Obi-Wan Ewan McGregor would turn into older Obi-Wan Alec Guinness. McGregor did not seem to fail enough to show the potential growth into Guinness.
I liked the political aspect of the Galactic Senate, although the impeachment of Supreme Chancellor Finis Valorum Terence Stamp was almost trivialized - as there is very little of Stamp in the movie, which is a waste of his talent. However, the political aspect of the Jedi Council has always bothered me - especially with Mace Windu Samuel L. Jackson and Yoda Frank Oz being part of the Jedi Council determining the fate of Lloyd, even though they were correct about the eventual future of Lloyd as Anakin, I felt uncomfortable about how they treated the child Lloyd. They were more critical of the child instead of being supportive for the child Lloyd as most teachers would be.
The iconic devilish character of Darth Maul Ray Park had more dialog than I remembered him having, although officially he only had three lines. The lack of dialog does detract from the menacing aspect of his character, although Park does kick Jedi butt - which the fans behind me appreciated. Too bad Park's voice was dubbed by Peter Serafinowicz, as I think Park could become more than just an incredible martial artist that plays such iconic martial artist movie roles. The foreshadowing of Senator Palpatine Ian McDiarmidfor the rest of the series is truely foreboding. The introduction of R2-D2 and a naked C-3PO was wonderful to see.
The end credits added additional 3-D credits, with additional music to cover the length of the D credits once the music for Duel of the Fates is over. The credits at the end of the movie still end with the sound of Darth Vader's respirator.
There is also a short 3-D computer animated cartoon from Blue Sky Studios of the character Scrat, from the Ice Age films. Scrat's Continental Crack-Up: Part 2 at the beginning of the movie is a typical adventure for the character Scrat to undergo, which also includes the voices from the Ice Age movies.
In Paramount Pictures Thor, the Norse Asgardian god Thor, Chris Hemsworth, is stripped of his power by Odin the All-Father, Anthony Hopkins, for being too arrogant and is banished to Earth/Midguard. After hitting Hemsworth with her car, Natalie Portmantakes the strange Hemsworth home as she believes he is a key to her scientific weather research.
Based on Marvel Comics Thor, this film was much more interesting in the Asgard and other realms than while being on Earth. While Earth had all the jokes, with the main settings being in a desert and a small town, it was rather boring compared to the family dynamics between Odin, Thor, and his brother Loki, Tom Hiddleston. Not even S.H.I.E.L.D made up for a boring Earth as S.H.I.E.L.D was just portrayed as another secret government agency that takes over everything and nothing was really spectacular about it. The movie trailer made S.H.I.E.L.D seem much more sinister. Agent Clark Gregg mentioned that Thor made the S.H.I.E.L.D agents look like minimum wage mall cops which was easy to do as the agents did act like mall cops and not the elite special operations teams that they should have been. While back in Asgard, it was rather touching and sad to see a sweet young Loki turn into a bitter man jealous of his beloved brother Thor. This was a better telling of betrayal than Anakin Skywalker becoming Darth Vader. With director Kenneth Branagh'sShakespearean roots, this definitely helped the story which is basically a retelling of Shakespeare's Henry V.
The frost giants were much more agile than what I imagined from the comic books, so the battles between them and the Asgardians were more intense than what I expected. And it is the invasion of the frost giants during his coronation that causes Thor to be arrogant in the first place as he wants to insure the safety of Asgard by invading the frost giants realm with the Warriors Three.
As Queen Frigga, Thor's mother, Rene Russowas an unexpected addition to the movie as I recall no publicity concerning her being a part of the film. Actually I did not recognize her until I read the end credits, although I knew that she had looked familiar when I saw her. There is also a bowman amongst the S.H.I.E.L.D agents Jeremy Rennerwho is uncredited as the character Hawkeye.
In the spirit of Asgard and the other realms, the credits were rather cosmic. There is also a scene after the end credits which goes more into Samuel L. Jackson and S.H.I.E.L.D which, when combined with all the references in the movie, lead to possible sequels like The Avengers.
The band Foo Fighters song "Walk" is also in the film because the filmmakers thought its lyrics were strangely appropriate for the film.
Rated PG-13 for violence. Running time: 115 minutes.
A cross between The Three Musketeersas well as The Princess Brideand Xena: Warrior Princess, this film is much more of an action film than a comedy that the trailers make it out to be. You can feel the jealousy that loser brother Danny McBride has for his heroic brother James Franco, but never forget that they are brothers. McBride reminds me of Oliver Platt in The Three Musketeers. although not as sophisticated, while Franco reminds me of Cary Elwes in The Princess Bride. On the eve of the Royal Wedding, one can imagine the chaos Theroux created during Franco's wedding and why the brothers are now on a quest. The quest picks up when they encounter fellow warrior Natalie Portman, a hot woman who can kick serious ass, but who has her own quest to get Theroux. Treachery and villainy abound as evil Chosen One Theroux needs virgin Deschanel to fulfill the ancient astrological prophesy to give birth to a dragon which he can control for his evil deeds. While a lot of magic bolts were flung around, it is surprising that the bolts were not actually deadly but only threw everyone around. The Great Wize Wizard is the most perverted muppet-like character I have ever seen, even more so than the Minotaur. At least you can understand the Minotaur's beastiality in his home lair.
The 3-D-like opening credits were pretty cool, especially when watching a 2-D film. I can imagine how they would look like in a real 3-D movie.
Rated R for violence, language, and sexual situations. Running time: 102 minutes.
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