Paramount Pictures
Rated PG-13
Running time: 169 Minutes
Click below to watch a movie trailer of Interstellar.
In Paramount Pictures Interstellar, former farmer astronaut Matthew McConaughey agrees to leave his family behind in order to pilot a desperate mission through interstellar space in order to save a doomed Earth.
A combination of Gravity and 2001: A Space Odyssey - especially toward the end - Interstellar, Written with his brother Jonathan Nolan and Directed by Christopher Nolan, is a dramatic science fiction movie that explores the fate and potential of a doomed human race. This is not your typical CGI action-packed science fiction movie - but a practical examination of the exploration of deep space and the intentions of actually going out into space, with astronauts McConaughey and Anne Hathaway on opposite sides of the argument. It was great that Nolan had researched NASA and the private space program SpaceX - as well having former astronaut Marsha Ivins and theoretical physicist Kip Thorne, who has a cameo, as a scientific consultant to Interstellar to maintain the authenticity of the movie.
With Earth's natural resources, especially food ravaged from a blight, becoming so scarce - humanity is on the verge of failure in the midst of a dust bowl. McConaughey does what he can to improve his farm. It was nice that Nolan got permission from Director Ken Burns of the TV mini-series documentary The Dust Bowl, which took place in America during the Great Depression of the 1930's, to use their interview footage in the movie Interstellar. The logos for Warner Bros., Paramount, Syncopy, and Legendary all have a "dusty" look to them to foreshadow the movie. What got to me the most was the historical revisionism of the Apollo moon landings in McConaughey's daughter Murphy's/Mackenzie Foy's school. Of course McConaughey takes umbrage to such revisionism.
One of the most important plot points in the movie deals with time dilation and suspended animation - time will go slower for the astronauts than for the people back home on Earth due to Einstein's general relativity equations, especially near the black hole, of which the black hole and the wormhole are two completely different things in the movie, so the people on Earth will age while the astronauts will remain the same age while they travel through the wormhole and are out on the other side of the galaxy. This was a tearjerker of a plot point theme with McConaughey and reminded me of The Twilight Zone episode The Long Morrow as the movie bounces back and forth between Earth and space.
I thought the constant use of the poem "Do not go gentle into that good night" by Dylan Thomas, which was written for his dying father, was quite appropriate - especially during the launching of the spacecraft Endurance while it searches for a way to save the human race as they follow after the Lazarus missions.
Interstellar also has an interstellar cast, most of whom were never in the marketing of the film that I am aware of - with at least one star's involvement kept secret. So it was awesome to see these people in the movie, without have any preconceived notions of what kind of characters these stars would be playing. I really do not want to give away the stars of this movie - except for this, it was funny seeing Topher Grace in the movie as I had just seen him that morning on TV in That 70's Show. It is curious when I saw this movie that it was the day before Anne Hathaway's birthday.
Since Nolan wanted to avoid using anthropomorphic robots in the movie, it was strange to me not to see a traditional humanoid-looking robot. But the use of the quadrilateral design of the robots, Bill Irwin and Josh Stewart, were interesting - and more human with intelligence and emotion than most robots, especially with McConaughey programming the robots - and that the design of these robots was especially impressive to me when used on the water planet Miller.
Hans Zimmer's unique musical score was dictated by Nolan who wanted the traditional instruments to go by the wayside.
The movie is a long movie. With the movie trailers, Interstellar is close to three hours.
It is curious that for the limited release of the movie - Interstellar was released in 70mm and 35mm film in theaters that still support those formats, including 70mm IMAX theaters. This is an exception to Paramount Pictures goal to stop releasing movies on film and to distribute only in digital format as nearly all the theaters in the United States have converted to digital projection.
At the end of the movie, the audience applauded.
Click below to watch another movie trailer of Interstellar.
Click below to watch a final movie trailer of Interstellar.
Rated PG-13 for violence and language. Running time: 169 Minutes.
Pancho
All people smile in the same language.
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Showing posts with label Anne Hathaway. Show all posts
Showing posts with label Anne Hathaway. Show all posts
Monday, November 17, 2014
Thursday, January 3, 2013
Les Miserables
Universal Pictures
Rated PG-13
Running time: 157 Minutes
Click below to watch the Les Miserables trailer.
In Universal Pictures Les Miserables, former prisoner Jean Valjean, Hugh Jackman, has been on the run from policeman Javert, Russell Crowe, for decades because Valjean/Jackman broke parole for stealing a loaf of bread for Jackman's starving nephew.
This dramatic movie musical based on the theatrical stage musical of Les Miserables by Alain Boublil and Claude-Michel Schonberg - which has been performing world-wide for over 25 years as of 2012, and is the longest running musical in the world - is a musical where 99% of the dialog is sung. As a result, you have to really listen to the lyrics of the songs to follow the plot of the movie - which is based on Victor Hugo's novel Les Miserables, considered to be one of the longest books ever written. What is great is that instead of listening to a playback of the music and then singing the songs, the actors actually sang the songs while they were acting - thus giving more of a performance for the camera as they sing. Set during the time of the Paris Uprising of 1832, otherwise known as the June Rebellion, the story of Les Miserables follows Valjean/Jackman as he transforms from escaped parolee to prominent mayor who undertakes an obligation to rescue the daughter, Cosette - a young Isabelle Allen and Amanda Seyfried - of his former factory employee Fantine, Anne Hathaway, who was thrown out on the street. Although it was a little confusing for me and took me some time to realize that she was being ostracized by the rest of the factory employees for Fantine/Hathaway sending money to her illegitamate child Cosette/young Isabelle Allen.
In all these years, I had never seen the musical Les Miserables or read the book. I have only heard clips of the music and knew of the general story of Javert's manhunt of pursuing Valjean. While my musical theater family and friends were not happy with the stars singing performances in the movie - and with good reason, especially with Crowe's singing - they loved the ensemble cast. It seems like the producers just got stars to make the movie so they can have a greater movie audience. Personally, I accepted the stars, except for Crowe's singing. At least the movie did have some of the Les Miserables stars from the musical production performing in the movie, and the ensemble cast throughout the movie were great. Several of the ensemble cast had performed in various stage productions of Les Miserables, so it was great to have them performing in the movie.
I was blown away by Hathaway's emotional performance of the song "I Dreamed A Dream." I could feel her pain of hitting rock bottom in her life and never climbing out of the hole that she is in - even if her singing might have been a little rough, but that roughness added to the emotion of the song for me as Hathaway did not want to sing it pretty considering the scene. Hathaway supposedly blew everyone away at her audition, leaving them in tears, and I would not be surprised if she had used this song for that audition. Hathaway also cut her hair and lost weight for the role as the sickly Fantine. Make no mistake, this is not a pretty Broadway movie - but a dark historical movie, dealing with the various castes of historical France as well as the bloody Paris Uprising of 1832 from which Hugo's novel is about. Having Hathaway's mother, stage actress Kate McCauley Hathaway, being the first Fantine in the First U.S. National Tour of Les Miserables makes a nice continuity touch with Hathaway portraying Fantine in the movie. Young Isabelle Allen as the young Cosette was very good for her age when she performed. Young Daniel Huttlestone was also good as the young Revolutionary urchin Gavroche.
Sacha Baron Cohen and Helena Bonham Carter as Samantha Barks/Eponine's parents - and cruel guardians of the now motherless Cosette/Isabelle Allen - added to the comic relief to the movie, which was a nice contrast to the darkness of the rest of the movie, thus giving their part of the movie a Sweeney Todd type of feel to the movie.
I felt the sudden romantic triangle with Cosette/Seyfried, Marius/Eddie Redmayne, and Eponine/Barks was an obligatory love story - especially when Marius/Redmayne spots Cosette/Seyfried across the way and it is love at first sight, which totally made this plot point unreal for me. Having Cosette/Seyfried losing the hardness of her childhood and becoming seemingly innocent again was also unreal for me. I felt she should have kept her cynisism when initially meeting Marius/Redmayne. But eventually this romantic triangle became an integral story plot to the rest of the movie and made sense, however it did take awhile for this love story to become acceptable to me. I was not happy that the revolutionaries were too well off to be downtrodden citizens, especially Marius/Redmayne with his rich uncle. The revolutionaries were basically liberal college students protesting against the conservative establishment rather than being real downtrodden citizens. The revolutionaries became acceptable to me when they were singing their song of revolution "Do You Hear the People Sing" with the citizens, but otherwise the revolutionaries were still liberal college students instead of poor French citizens.
I was surprised that the movie was not in 3D, but Director Tom Hooper felt that it would not receive a wide enough audience if the movie was in 3D. From the opening shots, the movie would have been great in 3D and would have been one of the first 3D musicals - if not the first 3D musical. As it is, the movie was very visual for material originally developed for the theatrical stage. The Paris Uprising in the movie were actual battles, and not a light show such as shown in the 25th anniversary concert that I had seen on PBS, although the movie uprising was not as graphic as a real uprising would have been. Having Javert/Crowe leading the French soldiers seemed quite appropriate as the symbol of the oppressive establishment, especially as he goes after Valjean/Jackman. What I did not like about the story was that there was no reference to Valjean/Jackman's nephew or sister years later. They were the reason he went to prison. What happened to them? Instead of being with his family, Valjean/Jackman creates a new family with Cosette/Seyfried.
With Valjean/Jackman encountering the Bishop Colm Wilkinson, thus experiencing compassion for perhaps the first time in his life, Valjean/Jackman begins his journey to redemption for his sins of being a thief. This religious encounter basically transforms the rest of Valjean/Jackman's life as he takes on numerous responsibilities for himself and for other people's lives. Valjean/Jackman's redemption is perhaps my favorite theme of the movie - even as Valjean/Jackman struggles with moral consequences, especially when someone is arrested believed to be him - as Valjean/Jackman continuously turns to the God for help and I am glad the movie ended with this theme. I will admit that at the end of the movie, I teared up - which I think was mainly due to this theme, and I am glad of that.
After the movie was over, the audience applauded.
Rated PG-13 for violence and sexual situations. Running time: 157 Minutes.
Click below to watch another musical trailer of Les Miserables.
Pancho
All people smile in the same language.
Follow us on Facebook: Pancho's Movie Reviews
Rated PG-13
Running time: 157 Minutes
Click below to watch the Les Miserables trailer.
In Universal Pictures Les Miserables, former prisoner Jean Valjean, Hugh Jackman, has been on the run from policeman Javert, Russell Crowe, for decades because Valjean/Jackman broke parole for stealing a loaf of bread for Jackman's starving nephew.
This dramatic movie musical based on the theatrical stage musical of Les Miserables by Alain Boublil and Claude-Michel Schonberg - which has been performing world-wide for over 25 years as of 2012, and is the longest running musical in the world - is a musical where 99% of the dialog is sung. As a result, you have to really listen to the lyrics of the songs to follow the plot of the movie - which is based on Victor Hugo's novel Les Miserables, considered to be one of the longest books ever written. What is great is that instead of listening to a playback of the music and then singing the songs, the actors actually sang the songs while they were acting - thus giving more of a performance for the camera as they sing. Set during the time of the Paris Uprising of 1832, otherwise known as the June Rebellion, the story of Les Miserables follows Valjean/Jackman as he transforms from escaped parolee to prominent mayor who undertakes an obligation to rescue the daughter, Cosette - a young Isabelle Allen and Amanda Seyfried - of his former factory employee Fantine, Anne Hathaway, who was thrown out on the street. Although it was a little confusing for me and took me some time to realize that she was being ostracized by the rest of the factory employees for Fantine/Hathaway sending money to her illegitamate child Cosette/young Isabelle Allen.
In all these years, I had never seen the musical Les Miserables or read the book. I have only heard clips of the music and knew of the general story of Javert's manhunt of pursuing Valjean. While my musical theater family and friends were not happy with the stars singing performances in the movie - and with good reason, especially with Crowe's singing - they loved the ensemble cast. It seems like the producers just got stars to make the movie so they can have a greater movie audience. Personally, I accepted the stars, except for Crowe's singing. At least the movie did have some of the Les Miserables stars from the musical production performing in the movie, and the ensemble cast throughout the movie were great. Several of the ensemble cast had performed in various stage productions of Les Miserables, so it was great to have them performing in the movie.
I was blown away by Hathaway's emotional performance of the song "I Dreamed A Dream." I could feel her pain of hitting rock bottom in her life and never climbing out of the hole that she is in - even if her singing might have been a little rough, but that roughness added to the emotion of the song for me as Hathaway did not want to sing it pretty considering the scene. Hathaway supposedly blew everyone away at her audition, leaving them in tears, and I would not be surprised if she had used this song for that audition. Hathaway also cut her hair and lost weight for the role as the sickly Fantine. Make no mistake, this is not a pretty Broadway movie - but a dark historical movie, dealing with the various castes of historical France as well as the bloody Paris Uprising of 1832 from which Hugo's novel is about. Having Hathaway's mother, stage actress Kate McCauley Hathaway, being the first Fantine in the First U.S. National Tour of Les Miserables makes a nice continuity touch with Hathaway portraying Fantine in the movie. Young Isabelle Allen as the young Cosette was very good for her age when she performed. Young Daniel Huttlestone was also good as the young Revolutionary urchin Gavroche.
Sacha Baron Cohen and Helena Bonham Carter as Samantha Barks/Eponine's parents - and cruel guardians of the now motherless Cosette/Isabelle Allen - added to the comic relief to the movie, which was a nice contrast to the darkness of the rest of the movie, thus giving their part of the movie a Sweeney Todd type of feel to the movie.
I felt the sudden romantic triangle with Cosette/Seyfried, Marius/Eddie Redmayne, and Eponine/Barks was an obligatory love story - especially when Marius/Redmayne spots Cosette/Seyfried across the way and it is love at first sight, which totally made this plot point unreal for me. Having Cosette/Seyfried losing the hardness of her childhood and becoming seemingly innocent again was also unreal for me. I felt she should have kept her cynisism when initially meeting Marius/Redmayne. But eventually this romantic triangle became an integral story plot to the rest of the movie and made sense, however it did take awhile for this love story to become acceptable to me. I was not happy that the revolutionaries were too well off to be downtrodden citizens, especially Marius/Redmayne with his rich uncle. The revolutionaries were basically liberal college students protesting against the conservative establishment rather than being real downtrodden citizens. The revolutionaries became acceptable to me when they were singing their song of revolution "Do You Hear the People Sing" with the citizens, but otherwise the revolutionaries were still liberal college students instead of poor French citizens.
I was surprised that the movie was not in 3D, but Director Tom Hooper felt that it would not receive a wide enough audience if the movie was in 3D. From the opening shots, the movie would have been great in 3D and would have been one of the first 3D musicals - if not the first 3D musical. As it is, the movie was very visual for material originally developed for the theatrical stage. The Paris Uprising in the movie were actual battles, and not a light show such as shown in the 25th anniversary concert that I had seen on PBS, although the movie uprising was not as graphic as a real uprising would have been. Having Javert/Crowe leading the French soldiers seemed quite appropriate as the symbol of the oppressive establishment, especially as he goes after Valjean/Jackman. What I did not like about the story was that there was no reference to Valjean/Jackman's nephew or sister years later. They were the reason he went to prison. What happened to them? Instead of being with his family, Valjean/Jackman creates a new family with Cosette/Seyfried.
With Valjean/Jackman encountering the Bishop Colm Wilkinson, thus experiencing compassion for perhaps the first time in his life, Valjean/Jackman begins his journey to redemption for his sins of being a thief. This religious encounter basically transforms the rest of Valjean/Jackman's life as he takes on numerous responsibilities for himself and for other people's lives. Valjean/Jackman's redemption is perhaps my favorite theme of the movie - even as Valjean/Jackman struggles with moral consequences, especially when someone is arrested believed to be him - as Valjean/Jackman continuously turns to the God for help and I am glad the movie ended with this theme. I will admit that at the end of the movie, I teared up - which I think was mainly due to this theme, and I am glad of that.
After the movie was over, the audience applauded.
Rated PG-13 for violence and sexual situations. Running time: 157 Minutes.
Click below to watch another musical trailer of Les Miserables.
Pancho
All people smile in the same language.
Follow us on Facebook: Pancho's Movie Reviews
Sunday, July 22, 2012
THE DARK KNIGHT RISES
Warner Bros. Pictures
Rated PG-13
Running time: 164 Minutes
Click below to watch The Dark Knight Rises trailer.
In Warner Bros. The Dark Knight Rises, crippled, reclusive billionaire Bruce Wayne, Christian Bale, comes out of retirement when terrorist leader Bane, Tom Hardy, threatens to destroy Gotham City - and billionaire Wayne/Bale returns as The Batman.
Sad to say that this film will probably go down in movie history more for incident of the midnight screening shootings at Aurora, Colorado rather than as more as the end of the Christopher Nolan/Christian Bale trilogy of the Dark Knight series. It was pretty shocking for me to wake up to this breaking news that day. If I did not have to be at work the next morning, I probably would have been at a midnight screening myself as well. Naturally, the cast and crew had expressed their deepest sympathies to the victims.
The movie itself is more of a dark suspense thriller, instead of a fun superhero action film like The Avengers. In fact, this movie was more like a serious James Bond film rather than as a comic book film.
In the last of The Dark Knight trilogy, The Dark Knight Rises is written with Christopher Nolan and his brother Jonathan Nolan, and is based on the DC Comics character Batman created by Bob Kane, with influences by the darker Batman comics of "Knightfall" and "No Man's Land." Selina Kyle, Anne Hathaway - as "the Cat" - steals the pearl's of Bale's mother. Since this was more than a simple cat burglary, Bale comes out of his eight year reclusive isolation since the events of The Dark Knight to find out the real reason Hathaway accessed his safe. A corporate takeover of Wayne Enterprises by Board Member Ben Mendelsohn incorporated Hathaway and terrorist Bane/Hardy as Mendelsohn's henchman. Bane/Hardy is formally a part of being with Ra's al Ghul's League of Shadows - just like Wayne/Bale used to be a part of the League. Bane/Hardy has his own agenda from Mendelsohn - assuming the leadership of the League of Shadows, and in taking up Ra's al Ghul's mission to destroy Gotham City.
Although Aaron Eckhart did not appear as his character District Attorney Harvey Dent in The Dark Knight Rises - because Eckhart was killed off in The Dark Knight - Eckhart's pictures and archival footage were used throughout the movie as a reference to his character and of how much Dent/Eckhart still had as an influence to Gotham City. Gary Oldman reprises his role as Commissioner Gordon, who feels guilty in covering up District Attorney Dent/Eckhart's crimes when Dent/Eckhart was the criminal Two-Face. The Joker is never mentioned in The Dark Knight Rises out of respect for Heath Ledger - although, this lack of mentioning The Joker in the movie is ironic considering the events that have surrounded this movie.
Hathaway was very good as Selina Kyle's Catwoman, however she was never referred to as Catwoman in the movie. Hathaway went through intense training to be Catwoman and she says that this was her most physically demanding role to date. I believed that Hathaway could kick-ass while I was watching her - especially when she goes from sweet, innocent girl, to "the Cat." Tom Hardy as Bane also trained heavily for this movie by studying various fighting styles but, with Hardy's face covered by Bane's mask, you feel that it could be anybody under his mask - especially with Hardy's accented voice, just like anybody could be The Batman with Bale's gravelly voice. You don't really get to see any deep acting from Hardy because of the mask. He could have just been some big hulking wrestler under the mask with Hardy doing a voice-over for all we know. At least this time the character of Bane was more like the original comic book character of a general, strategist, and one-man ruthless army to be a villainous equal to Batman mentally as well as being the villainous character physically.
While I expected Joseph Gordon-Levitt having a minor role in the movie - he actually had a larger more integral role than I had expected, becoming Gordon/Oldman's right hand man. Levitt was good, however I felt the character should have been younger. The character should at least be fresh out of the Police Academy with his idealism. Liam Neeson's cameo reprising his role as Ra's al Ghul was an unexpected pleasure to see. The Pittsburgh Steelers make cameo appearances in the football game.
You need a willing suspension of disbelief to accept Bale's healing of his injuries as I felt there was not sufficient time allowed in the showing of the film's story to allow for proper healing. Even with the doctors Bale had, that is still not enough sense of time in the movie to heal properly. If you accept that there was enough of a period of time for Bale to heal, then the events in the movie happened over a very long period of time which seems excessive to me. Also, the fact that the entire police force is sent underground is unbelievable as that would leave the entire city exposed. I know the Fire Department will not give up all their assets for Mutual Aid as that would leave their own city at risk, so I would not be surprised if the Police Department had something similar in their procedures. The climax of the war between the police and the criminal gangs is also unbelievable, given the firepower involved. There is a similar scene in War Horse that was much more believable. On the other hand, Batman's equipment was great to see in action as he drove around in them. Instead of a batmobile, this time he has a batplane. Although it was sad to see what happens to some of the equipment, it was still great to see. As a veteran cop tells his rookie partner, "sit back, you're in for a show."
The film was a long movie. I felt it could have been trimmed a little in the second half, just before the climax. As it is, this is the longest film Nolan has ever directed. There was also a lot of exposition in the movie, exposition of the plot rather than dialog. One, maybe two, exposition scenes I could except, like Michael Caine's concerned fantasy about the welfare for Bale while Bale was away for years for the first time. Cutting out some of this exposition could have trimmed the movie.
This is definitely the end of the Dark Knight trilogy, but the end of the movie is a positive ending left open for a new generation, a new direction for the next series of movies.
The audience I saw The Dark Knight Rises with applauded and cheered at the end and it was a pretty full house for a matinee, so not many people were intimidated by the events. Although as I was going up to the theater, a group was also going to see the film. A family man with his kids was coming out of the theater. The group asked him, "Did you see The Dark Knight?" The family man jokingly said, "no, he did not want to get shot." I was wondering if the events would hurt or help the film, or have no effect at all, to what the box office will take. We shall see as Warner Bros. will not release the opening weekend result until later "out of respect for the victims and their families." So while I think most people will live out their lives and not let the Aurora tragedy make them live in fear, it will take a while for the rest of us to get over it and heal.
Rated PG-13 for violence. Running time: 164 Minutes.
Pancho
All people smile in the same language.
Pancho's Movie Reviews
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